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Cradle of Recorded Jazz
Visit
the official website of the
Starr-Gennett
Foundation
David
Fulton,
President
Starr Piano Company Established
Of all the activity the Whitewater Valley gorge supported, the Starr Piano
Company was the most significant. When the first piano craftsmen arrived in
Richmond, Indiana in 1872, the city had two banks, a public library, and gas
lighting. The next year, when the first piano was produced, Richmond became the
county seat of Wayne County and had a population of 10,000.
The piano factory was know under several names in its early years, but the Starr family backed the enterprise from its inception. By 1878, James and Benjamin Starr, together with a piano craftsman and creative genius named Chase, had incorporated their piano works. In that year, the company purchased the present site, on the finest waterpower on the Whitewater River.
Gennett Family Becomes
Part of Company
In 1893, the Starr Piano received national recognition at the Colombian Exposition in
Chicago. The same year the Company was incorporated anew, with Benjamin Starr as
president and Henry Gennett as the secretary-treasurer. The arrival of Gennett and
his entrepreneurial skill gave a much-needed spark (boost) to the Company. By 1906,
the Starr Piano Company had 600 employees.
In 1916, a six-story building for the manufacture of phonographs and records was erected. Over the years, the Starr Piano, Phonograph and Gennett Records were joined by Starr Refrigerators and freezers, synchronizer units designed for use with talking picture projection machines, wooden propellers and a valve for barrage balloons during World War I, wooden cabinets for radios and even wooden billy clubs to quiet a local factory strike. No such labor disputes occurred at the Starr, as most of the craftsmen considered themselves employed for life. By the 1920's, the Starr was a broad based musical empire flourishing in the gorge on South 1st Street.
Patent Legal Battle Win Helps
Establish Gennett
The recording business had been dominated from its beginning by large firms which held
valuable patents on wax engraving methods and on the recording stylus. Since 1902,
the American Graphophone Company (Columbia) and the Victor Talking Machine Co. had pooled
their patents on the lateral cut method of recording in an attempt to monopolize the
market. The majors were challenged by a growing number of smaller manufacturers,
including Vocalion, Emerson, Brunswick and Starr. The giants sought protection in the
courts, and in Victor Talking Machine Co. vs. Starr Piano Company (1922) the Second
Circuit Court of Appeals held the Victor patent void for lack of invention and for
abandonment.
Not only did the lawsuit effectively end the majors monopolization of lateral recording, it formed a bond between the smaller companies which had joined the Gennetts in the legal battle. Leasing arrangements between the companies followed, eventually involving hundreds of Gennett masters. In the mid-twenties, Gennett was producing 3 million records annually, in addition to 15,000 pianos and 35,000 spring-driven phonographs. In 1928 Gennett cut 1,250 master records, compared to Victor's nearly 7,000.
Recordings Often Stopped as
Trains Pass By
Of the many exploits of Gennett, none was so noteworthy or important as the music recorded
at the Gennett recording department. Located at the southern end of the Starr
complex, all recording activity frequently had to cease as boxcars would rumble by the
recording studio. Over the period from 1916 to 1934, the Richmond studio made
thousands of acoustic and electric recordings, featuring blues, jazz, country, ethnic,
classical, spoken word, and any other recorded sound that had or could have a market.
William Jennings Bryan recorded
his famous "Cross of Gold" speech at the Richmond Gennett studios.
Many Famous Names Record Here
A list of famous names who recorded
for Gennett, in Richmond and at their studio in New York, is a long one. In 1922,
the Friars Society Orchestra (later the New
Orleans Rhythm Kings) made their first recordings in Richmond. The following
year, 1923, Jelly Roll Morton
waxed some records reaching over 20 masters in one day - an astounding feat for that time
or any other. He also participated in the first interracial recording session with
the New Orleans Rhythm Kings, the same year King Oliver's Creole Jazz Band with
Louis Armstrong, Lil Hardin and
Honore Dutrey performed before the
acoustic horn. In 1924, Bix
Beiderbecke made the first of several appearances for Gennett, with the Wolverines, and later as the leader
of Bix and his Rhythm Jugglers, featuring Tommy Dorsey on the trombone.
Hoagy Carmichael, a fan of the New Orleans Rhythm Kings, and Bix also performed in Richmond with Bix, Hitch's Happy Harmonists, and as leader of Charmichael's Collegians, recording the first version of "Stardust". Earl Hines was there, in Lois Deppe's band, as was Muggsy Spanier, with the Bucktown Five, Red Nichols, Billy Butterfield, Mary Lou Williams and a wonderful musical personality who worked both sides of the street. He made religious recordings under the name of Rev. Thomas A. Dorsey; for pop recordings, his name was Thomas Dorsey, and for Jug Bands, it was Georgia Tom.
Wingy Manone, a fine trumpet player from New Orleans, came to Richmond in the summer of 1930 to record under the name "Barbecue Joe and his Hot Dogs." One of the tunes he recorded was "Tar Paper Stomp," that years later was revised to become "In the Mood."
Depression Brings Down
Recording Industry
Unfortunately, many recording companies were ruined by the Great Depression. In
1929, record sales were $75 million. In 1930, $18 million and in 1931, $5.5 million.
Gennett and numerous small labels went out of business in the early '30's.
The Starr Factory continued to make pianos and press records for other concerns, but
actual recording slowed to a trickle. Decca bought the rights to Gennett's
"Champion" label, and in the 1940's Joe Davis briefly revived the Gennett label
for jazz aficionados. Harry Gennett, Jr. and his uncle, Fred kept their hand in the
business by producing sound effects records. The last Starr piano was made in the
early1950's and by the mid-1960's, its buildings (750,000 square feet under roof) were
slowly but steadily deteriorating.
New Beginnings
On an upbeat note - the citizens of Wayne County are beginning to embrace the wonderful
heritage. A museum that will celebrate this priceless jazz history is to be located
in the Whitewater Gorge where the former Starr Piano Factory was located. Plans are
moving forward. If you would like to participate in the planning for this museum or
contribute to the building fund - please contact:
Recommended Reading
Jelly Roll,
Bix, and Hoagy - Gennett Studios and the Birth of Recorded Jazz
by Rick Kennedy
Published in 1994 by Indiana University Press ISBN 0-253-33136-6
Recommended Links
View Richmond's Jazz Murals presented to the city by Laurel Gennett Martin, wife of the late Henry Gennett Martin of the former Gennett Recording Company.
The Red Hot Jazz Archive by Technoir - Excellent site with links to many Real Audio tracks by the original artists.
The Wolverine Antique Music Society has a page devoted the the Gennett Recording Company.
Gennett Sound Recording Collection - housed in the UCLA Library. The Gennett label has been inventoried as part of a pilot project. The 1,036 Gennett discs (2,072 sides) in the collection are not in a searchable database, but the complete contents are listed for browsing.
Historical Sketch of
the Starr Piano Company and the Gennett Record Company
(The JOHN K. MACKENZIE COLLECTION, 1887-1976, owned by the Indiana Historical Society.)
Hoagy Carmichael's Stardust - read the lyrics to this famous song...and others.
Tim Gracyk's Home Page - an excellent site if you are interested in collecting old 78 RPM records, old phonographs, or learning more about popular recording pioneers.
Dates and Serial Numbers for pianos manufactured by the Starr Piano Co.
Greg's Antique Piano Page - for those of you who are interested in Starr Pianos. Greg offers links to piano restoration info, books recommendations, and even a piano classified section.
How Much Is My Piano Worth? - hints in assessing the value of your piano, by PianoWorld.
The Vintage Piano Shop - includes basic facts about vintage instruments, information about determining its age, and restoration services.
Judith Gennett's Gennett Genealogy - a wonderful collection with with excellent references to newspaper articles, wills, etc. Of special interest is Frederick Gennett and his wife, Hazel Reid Gennett, and Henry Gennett and his wife, Alice Lumsden Gennett.
Refrigeration Supplies Distributor-Total Control - the Pacific Division of the Starr Piano Company has continued to be managed by Henry Gennett's descendents. Learn more about the history of this company.
Starr Piano Company/Gennett Records - history of the company from a compilation of four articles that appeared in the Palladium-Item in 1991.
Doc Roberts Collection, Southern Appalachian Archives - Important subjects covered in the collection include: country music in America from the early 1920s through the 1930s and information on the commercial recording activities of the Starr Piano Company of Richmond, Indiana.
Examples
of Other Starr Produced Items
Research
Those interested in learning more about the Starr Piano Company and the
Gennett Recording Company are invited to contact the
Wayne County Historical Museum
at (765) 962-5756 . The
Museum currently has a
display on the Gennett Recording Company and the Starr Piano Company.
This article was adapted from a brochure entitled "Once there was music..." distributed by the Richmond/Wayne County Tourism Bureau. Most of the material has been excerpted from The History of the Whitewater Gorge and Andy Klein's article, A History of the Starr Piano Factory.
Special thanks to Brian Jones at Photo ReStore for the use of the enhanced Gennett logo. Thanks also to the Wayne County Historical Museum for the William Jennings Bryan photo.
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